Arthur Miller/Works

Stage plays

• No Villain (1936)
• They Too Arise (1937, based on No Villain)
• Honors at Dawn (1938, based on They Too Arise)
• The Grass Still Grows (1938, based on They Too Arise)
• The Great Disobedience (1938)
• Listen My Children (1939, with Norman Rosten)
• The Golden Years (1940)
• The Man Who Had All the Luck (1940)
• The Half-Bridge (1943)
• All My Sons (1947)
• Death of a Salesman (1949)
• An Enemy of the People (1950, based on Henrik Ibsen's play 'An Enemy of the People')
• The Crucible (1953)
• A View from the Bridge (1955)
• A Memory of Two Mondays (1955)
• After the Fall (1964)
• Incident at Vichy (1964)
• The Price (1968)
• Fame (television play, 1970)
• The Creation of the World and Other Business (1972)
• The Archbishop's Ceiling (1977)
• The American Clock (1980)
• Playing For Time (television play, 1980)
• Elegy for a Lady (short play, 1982, first part of Two Way Mirror)
• Some Kind of Love Story (short play, 1982, second part of Two Way Mirror)
• I Think About You a Great Deal (1986)
• Playing for Time (stage version, 1985)
• I Can’t Remember Anything (1987, collected in Danger: Memory!)
• Clara (1987, collected in Danger: Memory!)
• The Last Yankee (1991)
• The Ride Down Mt. Morgan (1991)
• Broken Glass (1994)
• Mr Peter’s Connections (1998)
• Resurrection Blues (2002)
• Finishing the Picture (2004)

Non-fiction

• Situation Normal (1944) is based on his experiences researching the war correspondence of Ernie Pyle.
• In Russia (1969), the first of three books created with his photographer wife Inge Morath, offers Miller's impressions of Russia and Russian society.
• In the Country (1977), with photographs by Morath and text by Miller, provides insight into how Miller spent his time in Roxbury, Connecticut and profiles of his various neighbors.
• Chinese Encounters (1979) is a travel journal with photographs by Morath. It depicts the Chinese society in the state of flux which followed the end of the Cultural Revolution. Miller discusses the hardships of many writers, professors, and artists as they try to regain the sense of freedom and place they lost during Mao Zedong's regime.
• Salesman in Beijing (1984) details Miller's experiences with the 1983 Beijing People's Theatre production of Death of a Salesman. He describes the idiosyncrasies, understandings, and insights encountered in directing a Chinese cast in a decidedly American play.
• Timebends: A Life, Methuen London (1987) ISBN 0413414809. Like Death of a Salesman, the book follows the structure of memory itself, each passage linked to and triggered by the one before.

Radio plays

• The Pussycat and the Plumber Who Was a Man(1941)
• William Ireland’s Confession (1941)
• Joel Chandler Harris (1941)
• Captain Paul (1941)
• The Battle of the Ovens (1942)
• Thunder from the Mountains (1942)
• I Was Married in Bataan (1942)
• Toward a Farther Star (1942)
• The Eagle’s Nest (1942)
• The Four Freedoms (1942)
• That They May Win (1943)
• Listen for the Sound of Wings (1943)
• Bernardine (1944)
• I Love You (1944)
• Grandpa and the Statue (1944)
• The Philippines Never Surrendered (1944)
• The Guardsman (1944, based on Ferenc Molnár’s play)
• The Story of Gus (1947)
• The Reason Why(1970)

Assorted fiction

• Focus (novel, 1945)
• The Misfits (short story, 1957)
• I Don’t Need You Anymore (short stories, 1967)
• Homely Girl (short story, 1992, published UK as Plain Girl: A Life 1995)
• The Performance (short story)
• Presence: Stories (short stories, 2007)

Screenplays

• The Hook (1947)
• The Misfits (1961)
• Everybody Wins (1984)
• The Crucible (1995)

Collections

• Kushner, Tony, ed. Arthur Miller, Collected Plays 1944-1961 (Library of America, 2006) ISBN 978-1-93108291-4.
• Martin, Robert A. (ed.), "The theater essays of Arthur Miller", foreword by Arthur Miller. NY: Viking Press, 1978 ISBN 0140049037.
• Steven R Centola, ed. Echoes Down the Corridor: Arthur Miller, Collected Essays 1944-2000, Viking Penguin (US)/Methuen (UK), 2000 ISBN 0413756904