Black Tape for a Blue Girl: Difference between revisions
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imported>Russell D. Jones (notes) |
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According to Rosenthal, the project "is where I realize my own thoughts and vision in art." It's not really a band in the traditional sense of late twentieth century music, but it is definitely collaborative. "Each person comes to it adding their own talents, but knowing I have decided where it should be headed. In that sense, it is like a play. And I am the director, and have the final statement."<ref>Sam Rosenthal, [http://www.blacktapeforabluegirl.com/interviews/int1.html interviewed for ''Youth Weekly''], Hong Kong, August 27, 1996.</ref> | According to Rosenthal, the project "is where I realize my own thoughts and vision in art." It's not really a band in the traditional sense of late twentieth century music, but it is definitely collaborative. "Each person comes to it adding their own talents, but knowing I have decided where it should be headed. In that sense, it is like a play. And I am the director, and have the final statement."<ref>Sam Rosenthal, [http://www.blacktapeforabluegirl.com/interviews/int1.html interviewed for ''Youth Weekly''], Hong Kong, August 27, 1996.</ref> | ||
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Revision as of 14:59, 27 February 2010
Black Tape For A Blue Girl is the recording and performance project of Sam Rosenthal who is also the leading program director of Projekt Records.
According to Rosenthal, the project "is where I realize my own thoughts and vision in art." It's not really a band in the traditional sense of late twentieth century music, but it is definitely collaborative. "Each person comes to it adding their own talents, but knowing I have decided where it should be headed. In that sense, it is like a play. And I am the director, and have the final statement."[1]
Notes
- ↑ Sam Rosenthal, interviewed for Youth Weekly, Hong Kong, August 27, 1996.