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'''Bataireacht''' is a traditional Irish-language term used to describe the various [[stick fighting]] [[martial arts]] of [[Ireland]].  
{{subpages}}
{{Image|Assorted shillelagh.JPG|right|350px|Assorted shillelagh.}}
'''Bataireacht''' is a traditional Irish-language term used to describe the various stick fighting martial arts of Ireland.


==History==
==History==
The irish have used clubs, alternatively called a bata, bhata, cane, cudgel, or [[shillelagh]], as weapons of civilian self defense for centuries. The art of stick fighting was handed down from fathers to sons and is closely identified with Irish culture to this day. The sticks themselves were not of a standardised size and bataireacht could refer to a four foot long heavy club just as easily as it could a light cane.
The irish have used clubs, alternatively called a bata, bhata, cane, cudgel, or shillelagh, as weapons of civilian self defense for centuries. The art of stick fighting was handed down from fathers to sons and is closely identified with Irish culture to this day. The sticks themselves were not of a standardised size and bataireacht could refer to a four foot long heavy club just as easily as it could a light cane.


In the 19th century bataireacht became associated with Irish gangs called "factions". Beginning first in [[Munster]] and [[Leinster]], then spreading to the rest of the country, the [[Irish faction fights]] involved large groups of Irish men (and sometimes women) who would engage in huge melees at county fairs, weddings, funerals, or any other convenient gathering. It was a culture of recreational violence <ref> [http://findarticles.com/p/articles/mi_m2005/is_1_33/ai_56027317 The Agreeable Recreation Of Fighting] </ref> which, as time progressed, was villified as being barbaric.
In the 19th century bataireacht became associated with Irish gangs called "factions". Beginning first in Munster and Leinster, then spreading to the rest of the country, the Irish faction fights involved large groups of Irish men (and sometimes women) who would engage in huge melees at county fairs, weddings, funerals, or any other convenient gathering. It was a culture of recreational violence<ref> [http://findarticles.com/p/articles/mi_m2005/is_1_33/ai_56027317 The Agreeable Recreation Of Fighting] </ref> which, as time progressed, was vilified as being barbaric.


As the push for [[Irish independence]] from [[Great Britain]] gained steam toward the end of the 19th century, the Irish believed it was necessary to distance themselves from customs that the British and other outsiders disliked. During this time, bataireacht nearly died out.
As the push for Irish independence from the United Kingdom gained steam toward the end of the 19th century, the Irish believed it was necessary to distance themselves from specifically British customs. During this time, bataireacht nearly died out.


==Modern Practise==
==Modern practice==
A combination of historical and cultural interest has lead to a resurgence of bataireacht in Ireland, the [[United States]] and [[Canada]]. It is also gaining popularity as a form of [[self defense]], since a cane or walking stick can be carried easily in modern society. As is the case with most martial arts, multiple versions exist.  
A combination of historical and cultural interest has lead to a resurgence of bataireacht in Ireland, the United States of America and Canada. It is also gaining popularity as a form of self defense, since a cane or walking stick can be carried easily in modern society. As is the case with most martial arts, multiple versions exist.


Very few traditional forms of bataireacht survive to this day, though some practitioners can still be found. These traditional styles are specific to the family which carried them through the years and have specific names like "Rince an Bhata Uisce Bheatha" (whiskey stick dance).
Very few traditional forms of bataireacht survive to this day, though some practitioners can still be found. These traditional styles are specific to the family which carried them through the years and have specific names like "Rince an Bhata Uisce Bheatha" (whiskey stick dance).


Additionally, members of the [[Western Martial Arts]] movement have reconstructed styles using a variety of period martial arts manuals, historical newspaper articles, magazines, pictoral evidence and court documents. No instructional manuals are known to survive and it is unlikely any were ever produced.
Additionally, members of the Western Martial Arts movement have reconstructed styles using a variety of period martial arts manuals, historical newspaper articles, magazines, pictorial evidence and court documents. Surviving instructional manuals which include sections detailing the use of the bata such as those by Allanson-Winn, Percy Longhurst, and Donald Walker tend to be brief.


Few formal schools can be found teaching either traditional or reconstructed bata, but informal study groups are growing in number.
Few formal schools can be found teaching either traditional or reconstructed bata, but informal study groups are growing in number.
==Attribution==
{{WPAttribution}}


==References==
==References==
{{reflist}}  
{{reflist}}[[Category:Suggestion Bot Tag]]
 
==External links==
 
*[http://findarticles.com/p/articles/mi_m2005/is_1_33/ai_56027317 The Agreeable Recreation Of Fighting]
* [http://books.google.com/books?id=ZrFMHmsMmWAC&pg=PA347&lpg=PA347&dq=shillelagh+the+irish+fighting+stick&source=web&ots=HKdYCBYc_0&sig=x9J-GMzL07QG_zo7PZ_q032auJs&hl=en  Shillelagh: The Irish Fighting Stick]
*[http://www.thewildgeese.com/pages/facfight.html Bataireacht: The Art of Irish Stick-Fighting]
*[http://www.geocities.com/glendoyle/bata/index.html Whiskey Stick Dancing]
*[http://www.geocities.com/Athens/Acropolis/4933/shillelagh.html Comhraiceoir Bhata]
*[http://johnwhurley.com/ Shillelagh Irish Stick-Fighting]
{{martialart-stub}}
 
 
[[Category:Stick fighting]]
[[Category:European martial arts]]
[[Category:Western martial arts]]
[[Category:self defense]]

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Assorted shillelagh.

Bataireacht is a traditional Irish-language term used to describe the various stick fighting martial arts of Ireland.

History

The irish have used clubs, alternatively called a bata, bhata, cane, cudgel, or shillelagh, as weapons of civilian self defense for centuries. The art of stick fighting was handed down from fathers to sons and is closely identified with Irish culture to this day. The sticks themselves were not of a standardised size and bataireacht could refer to a four foot long heavy club just as easily as it could a light cane.

In the 19th century bataireacht became associated with Irish gangs called "factions". Beginning first in Munster and Leinster, then spreading to the rest of the country, the Irish faction fights involved large groups of Irish men (and sometimes women) who would engage in huge melees at county fairs, weddings, funerals, or any other convenient gathering. It was a culture of recreational violence[1] which, as time progressed, was vilified as being barbaric.

As the push for Irish independence from the United Kingdom gained steam toward the end of the 19th century, the Irish believed it was necessary to distance themselves from specifically British customs. During this time, bataireacht nearly died out.

Modern practice

A combination of historical and cultural interest has lead to a resurgence of bataireacht in Ireland, the United States of America and Canada. It is also gaining popularity as a form of self defense, since a cane or walking stick can be carried easily in modern society. As is the case with most martial arts, multiple versions exist.

Very few traditional forms of bataireacht survive to this day, though some practitioners can still be found. These traditional styles are specific to the family which carried them through the years and have specific names like "Rince an Bhata Uisce Bheatha" (whiskey stick dance).

Additionally, members of the Western Martial Arts movement have reconstructed styles using a variety of period martial arts manuals, historical newspaper articles, magazines, pictorial evidence and court documents. Surviving instructional manuals which include sections detailing the use of the bata such as those by Allanson-Winn, Percy Longhurst, and Donald Walker tend to be brief.

Few formal schools can be found teaching either traditional or reconstructed bata, but informal study groups are growing in number.

Attribution

Some content on this page may previously have appeared on Wikipedia.

References