Cover version: Difference between revisions

From Citizendium
Jump to navigation Jump to search
imported>Ro Thorpe
m (A and R > A&R as per standard style)
imported>Ro Thorpe
(clarify)
Line 3: Line 3:
British [[Artists and repertoire|A&R]] men, seeking music for their protegés to perform, would keep tabs on [[Tin Pan Alley]], and scan the American charts, for songs (including instrumentals, though in those days 'songs' meant strictly vocal).
British [[Artists and repertoire|A&R]] men, seeking music for their protegés to perform, would keep tabs on [[Tin Pan Alley]], and scan the American charts, for songs (including instrumentals, though in those days 'songs' meant strictly vocal).


Early examples are: 'Tom Dooley' by The [[Kingston Trio]] in the folk genre, covered by [[Lonnie Donegan]] as a skiffle song in [[1958]], and the pop song 'Rubber Ball' by [[Bobby Vee]], covered by [[Marty Wilde]] in [[1961]].
Early examples: the traditional folk song 'Tom Dooley', popularised by The [[Kingston Trio]] in [[1958]], prompted a skiffle cover version by [[Lonnie Donegan]]; and the pop song 'Rubber Ball' by [[Bobby Vee]] was covered in copy-cat style, as was more usual, by [[Marty Wilde]] in [[1961]].

Revision as of 13:56, 6 March 2008

This article is developing and not approved.
Main Article
Discussion
Related Articles  [?]
Bibliography  [?]
External Links  [?]
Citable Version  [?]
 
This editable Main Article is under development and subject to a disclaimer.

Today, a cover version is a recording of a song that is not the original. But in the early days of recording, especially in Britain, it had a different meaning.

British A&R men, seeking music for their protegés to perform, would keep tabs on Tin Pan Alley, and scan the American charts, for songs (including instrumentals, though in those days 'songs' meant strictly vocal).

Early examples: the traditional folk song 'Tom Dooley', popularised by The Kingston Trio in 1958, prompted a skiffle cover version by Lonnie Donegan; and the pop song 'Rubber Ball' by Bobby Vee was covered in copy-cat style, as was more usual, by Marty Wilde in 1961.